Cosmas Amenorvi - Lecturer, Department of Languages and General

This paper investigates how the theme of uprising is conveyed in Bob Marley’s final music album by the name “Uprising”. Through the methodological lenses of multimodality, attention is focused on how the album cover design, lexical items, literary devices, and other aesthetic ways such as the titles of the ten songs of the album and their order of arrangement contribute to the overall theme of uprising of the album. Findings reveal that the album cover design is loaded with meaning in support of the theme of uprising. Moreover, Marley relies on content-lexical items, namely, nouns, verb, adjectives, and adverbs to project the uprising theme. Marley also employs figures of speech such as allusion parallelism, repetition, rhetorical questions, and rhythm to project the theme of uprising. Finally, the song titles and their order of arrangement tell a single well-linked story in conveying theme of uprising in Marley’s “Uprising” album.

Thematic Analysis, multimodality, Linguistics, Literature, aesthetics, Bob Marley, lyrics