Thomas Pynchon’s Southern Californian Literary Heterotopology: Decompression Heterotopias in Inherent Vice
Publish place: Critical Literary Studies، Vol: 4، Issue: 1
Publish Year: 1401
نوع سند: مقاله ژورنالی
زبان: English
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تاریخ نمایه سازی: 23 دی 1400
Abstract:
Looking back at the early ۱۹۷۰s socio-cultural upheavals, Thomas Pynchon’s Inherent Vice (۲۰۰۹) generates a discursive construct of Los Angeles that captures the transition from a Fordist culture to a Post-Fordist one. This essay holds that around this watershed moment, literary heterotopias specific to Southern California are being made. Michel Foucault defines heterotopias as realized utopias, emplacements that simultaneously represent, contest, and invert the normal space. This study reads Inherent Vice, using Foucault’s archaeological method of analysis to develop literary heterotopology. A discursive analysis of Pynchon’s novel reveals heterotopias’ discontinuous nature, which this study proposes as the seventh principle for heterotopology. Furthermore, Pynchon uses a new vehicle, Decompression Heterotopias, to reshape globalization in his retro-production of Los Angeles. Ultimately, the essay shows how the Fordist and Post-Fordist waves of globalization aspire to affect Angeleno’s lives by compressing the time-space spectrum. Pynchon’s decompression heterotopias, however, resist the status quo and propose reconfiguring globalization’s compression forces.
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Authors
Moein Moradi
PhD Candidate of English Literature, Shahid Beheshti University, Tehran, Iran
Amirali Nojoumian
Associate Professor of English Language and Literature, Shahid Beheshti University, Tehran, Iran
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