Sedimented Expressions and Indirect Language in John Berger’s A Painter of Our Time
Publish place: Critical Literary Studies، Vol: 4، Issue: 2
Publish Year: 1401
نوع سند: مقاله ژورنالی
زبان: English
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JR_CLCS-4-2_009
تاریخ نمایه سازی: 24 اردیبهشت 1401
Abstract:
The aim of the present research is to investigate the relation between phenomenology and language, and to comprehend the cognitive experience by reading a literary work or an aesthetic text. It also addresses the process of pure perception and visualization of an object in the mind and the relation of body to the world within the phenomenal field. The present study delves into John Berger’s A Painter of Our Time (۱۹۵۸) in order to examine the painterly process of expressing an array of human sensations and experience of the world, eventually revealing the truth. The phenomenological philosophy of Maurice Merleau-Ponty enables an intersubjective interaction between “body”, “experience”, language and “perceptual world”. This study thus seeks to address the mechanics of the painter’s mind, exploring the root of being and eventually explaining his style and mute meaning. Focusing on whether visualizing, reading, and thinking through a work of art in a text, could provide an aesthetic experience of the text ultimately brings an aesthetic judgment of a work of art based on the knowledge gained through the literary text. Consequently, the readers, positioning themselves in the synesthetic and experience of the text, develop a new visual and aesthetic experience of the world.
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Authors
Amirhossein Mohammadzadeh
MA in English Language and Literature, Central Tehran Branch, Islamic Azad University, Tehran, Iran.
Narges Montakhabi Bakhtvar
Assistant Professor of English Language and Literature, Central Tehran Branch, Islamic Azad University, Tehran, Iran.
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