Hossein Ardalani - Ph. D. in Philosophy of Art, Faculty Member of Department of Philosophy of Art, Faculty of Art and Architecture, Hamadan Branch,Islamic Azad University, Hamadan, Iran

The French philosopher Gilles Deleuze was more concerned with the concept of the body incomparison to other French poststructuralist theorists. On the other hand, Merleau-Ponty was aFrench existentialist and phenomenological philosopher, known for his emphasis on the role ofbody in the cognitive science, and among the philosophers is known as the philosopher of the body.The body without organs is a term taken from Antonin Artaud. Deleuze in his philosophy,emphasizes fluidity and consonance with the world, and considers the organism to be the prisonerof life. He considers emotion as a force that brings man from potential to actual moment and countsthe foundation of art on sensory perception. The purpose of art for him is to convey the sense ofthings that lead to the registration of forces by the surface of the body. Merleau-Ponty calls thebody as a condition for the possibility of any kind of experience, and the "living body" in his view,is the axis of the human cognitive and being in the world. He considers the harmony of the bodywith the world as pre-reflective and sensory perception as pre-cognitive, and this enumeratessensory perception following the transfer of sense from the artwork and in lived experience. Thepurpose of this study is a comparative study of Deleuze "body without organs" and Merleau-Ponty"living body", so that it can finally make its audience aware of commonalities such as becomingand consonance with the world and differences such as intention, timeliness, organism and subjectposition between the views of these two philosophers. Finally, there is an overview of theinteraction of this embodied from the perspective of each philosopher with contemporary art.For this purpose, the article first describes and analyzes these two definitions of the body and thecharacteristics of each in general, finally to achieve the changing position of the agent from subjectto body, in the coordinates of life today and the experience of living (both) has caused the changedin the structure of contemporary art in the direction of fluidity and transmission of today's worldwith a focus on the physicality.

Body Without Organs; Living Body; Sensory Perception; Physicality