Landysh R. Faezova - Kazan Federal University, Kazan, Russia
Milyausha М. Khabutdinova - Kazan Federal University
Gulfia R. Gaynyllina - Kazan Federal University, Kazan, Russia.
Ainur Mashakova - MO Auezov Institute of Literature and Art, Almaty, Kazakhstan

The article deals with the work of the Tatar writer of the sixties Mirgaziyan Yunus. For a long time, Tatar literary scholars considered him as an artist of the word-marine painter, who expanded the horizons of Tatar prose, filled it with romance, enriched it with new topics. The literary debut of the writer took place in Russian. The writer wrote on “marine topics” in Russian and Tatar. In the ۱۹۶۰s the writer, under the influence of circumstances, makes a sharp turn towards a heightened awareness of his ethnic identity. In his work appears a number of works devoted to the comprehension of the Tatar emigration, the problems of the Tatar national character. The article systematizes material related to the reflection of the writer on the subject of his identity. Under pressure from Soviet censorship until the ۱۹۹۰s. his work was politically neutral. M. Yunis preferred writing about the problem of national and ethnic identity in his native Tatar language. During the perestroika period, the writer's work became more politicized and he turned into a fiery patriot of his people, who defended the right to its statehood. M. Yunis is moving from oblivion of his own ethnic identity, distancing himself from his native culture to the realization of its identity, and he is beginning to openly uphold his “Tatar” character.

Tatar Literature, Tatar Prose, Tatar Journalism, National Identity, Mirgaziyan Yunusov (M. Yunus.)