Aria Arman Mehr - Corresponding Author, Department of art, Islamic Azad University Central Tehran Branch, Tehran, Iran
Sahar Askarzadeh - Department of art, Islamic Azad University Central Tehran Branch, Tehran, Iran

This article delves into the narrative labyrinths by exploring Barthes' semiotic approach to the intricate film codes of Christopher Nolan, immersing into the complex and captivating world of Nolan's films and examining the profound impact of his narrative mazes on the audience. Grounded in the theoretical framework of Barthesian semiotics, the article analyzes Nolan's filmmaking style, narrative structures, and intricate film codes. Through an exploration of the interaction between visual and narrative symbols, it illustrates how Nolan's films challenge traditional storytelling conventions and engage viewers in active interpretation. Furthermore, it highlights the enduring allure and impact of Nolan's narrative mazes in contemporary cinema, as well as the significance of Barthesian semiotics in unraveling the layers of meaning embedded in his films. Ultimately, this study contributes to a deeper understanding of Nolan's unique cinematic universe and its lasting influence on filmmakers and audiences alike.

Christopher Nolan, Narrative Labyrinths, Barthesian Semiotics, Film Codes, Complexity, Non-linear Storytelling.