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Acrobat and Mime corporel

عنوان مقاله: Acrobat and Mime corporel
شناسه ملی مقاله: ICEASCONF02_193
منتشر شده در دومین کنفرانس بین المللی مهندسی و علوم کاربردی در سال 1395
مشخصات نویسندگان مقاله:

Mohammad reza GharibzadehMona Tirgar - BOHT Group from IRAN

خلاصه مقاله:
»Since the beginning, human kind has considered the mind as the quest toward the target. Its history is abound with repetitions and reviews ending up a dead lock of reluctance and innovation of new ideas. The ideas are nothing but fresh blood and new set of target« )bazian,2008,p: 24).»When it initiates, it takes communication as the paramount tool for interaction and bringing in new viewpoints. In the early days, body gestures were enough to transfer interaction. However, as history marched on, the body gestures lost their role for language. By language , we refer to noises to express emotions (internal and external emotions). As words were emerging out the noises, early form of gestures were diminishing, though kept their function in special ceremonies such as wedding, celebration, childbirth, war, demonstration of respect, etc.) « )obe,2012, p: 87).»Soon, drama found its place in many ancient societies (e.g. Greece, Egypt, Roma, Iran, and East Asia). Public acceptance and supports from powers helped the new form of art to develop more than ever so that actors of plays and mime especially were titled Himous« )seddighi,2003, p: 80)»Limited communities of the actors made them ranked as kings and leaders. Introduction of new genres such as tragedy, drama, folklore as new fields of expertise for mime play happened when play was only performed on stage. The process was steady until the early 20th century«. )same (

صفحه اختصاصی مقاله و دریافت فایل کامل: https://civilica.com/doc/539501/