M. H. Sameni - Department of English School of Medicine Jahrom University of Medical Sciences Jahrom, Iran
Faranak Shahmoradi - Department of English Ghorveh Branch Islamic Azad University Ghorveh, Iran

Many critics from India, such as Ramesh Kumar Gupta, C. Santhosh Kumar, A. Selvalakshmi, Z. F. Molvi, describe the poetry of Kamala Das as being unusual, while the poet believes that she writes with „candour‟ abouther experiences of womanhood. Speaking of her poetry as „unusual‟ is an expected reader‟s response to poemswritten in the confessional mode that transgress accepted norms of tradition, conventions and culture in her society. Confessional constitutes an interesting dimension of women‟s writing, in which the poets uncover confidentialities that bond her private and public spheres together. This paper is an investigation into the poetryof Kamala Das (1934-2009), the prolific Indian woman writer of the twentieth century to explicate confessionalelements in her poetry. Das borrows this style of writing from her contemporary American writers and employs it as a means of articulation, negotiation and resistance through projecting the self

English Poetry, Indian Writing, Women Writers, Confessional Mode