On Deconstructionalism: A Logocentric Case Study on Tom Stoppard’s Selected Plays: Rosencrantz and Guildenstern Are Dead and Arcadia
عنوان مقاله: On Deconstructionalism: A Logocentric Case Study on Tom Stoppard’s Selected Plays: Rosencrantz and Guildenstern Are Dead and Arcadia
شناسه ملی مقاله: ELSCONF06_100
منتشر شده در ششمین کنفرانس بین المللی پژوهشهای کاربردی در مطالعات زبان در سال 1397
شناسه ملی مقاله: ELSCONF06_100
منتشر شده در ششمین کنفرانس بین المللی پژوهشهای کاربردی در مطالعات زبان در سال 1397
مشخصات نویسندگان مقاله:
Samaneh Shoshtarian - Department of English Literature, School of Literature and Humanities, University of Lorestan, Lorestan, Iran
خلاصه مقاله:
Samaneh Shoshtarian - Department of English Literature, School of Literature and Humanities, University of Lorestan, Lorestan, Iran
The purpose of this study is to examine a deconstructive concept of theatre as it specifically relates to thetheatre of post-structuralism by investigating the works and ideas of Tom Stoppard. Accusing Western philosophy ofbeing obsessed with binary oppositions, Jacques Derrida s deconstructive approach represents language as an instableand delogocentric system by means of which no fixed meaning can be created. Together with conceptualism andrejection of modern doctrines, Derrida s theory of post-structuralism is utilized to analyze the inner dynamics ofStoppard s two selected plays: Rosencrantz and Guildenstern Are Dead and Arcadia.
کلمات کلیدی: Post-structuralism, Postmodernism, Deconstruction, Binary oppositions, Différance, Dissemination, Delogocentrism
صفحه اختصاصی مقاله و دریافت فایل کامل: https://civilica.com/doc/880261/