About the Music and Creative Maverannahr Relationship and India(ХV1-XVII centuries)

ХV1-XV11 century.associated with a number of innovations in the art ofmusic and poetry. It is above all the emergence of new creative and performingvenues, creating new music-theoretical treatises, new music and poetic genresand forms. They were well known and led to the emergence of such innovationsfurther progress in the development of professional music and poetry.Of great importance for the development of professional musical and poeticcreativity development a new creative techniques and the most distinctive partmusical and poetic culture of Tajiks in XV1-XV11 outputting not only thecontinuation of the classical tradition and the birth of new creative andperforming style and vivid manifestation of synthesis of the elements of musicaland poetic cultures of other people of Central Asia, Khurasan and India (1).In early XV1. in Transoxiana, Iran and India were to form the new stateunion-Shaybanid (1500-1599 ) ,Mogol (Baburid’s,1526-1857 ) and Safavid(1502-1736-37 years.) state. Borders between the new states now set on theAmu Darya River and the first decades have been marked by the formation ofthese states. Particularly intolerant Safavid with the former was caused by themost powerful internal and external political opponents of the new Turkishdynasty. Different goals and actions and Safavid , Sheibanids considered clearlyin historical literature XV1-XV11 century.Nomad Shaybanikhan close and have little respect for the gifted people. Babur ( Baburname ), and writes that Shaybanikhon not evaluated greatnessartists, had even tinker with them, and took up his pen, he corrected the writingsand drawings of Sultan Ali and Meshed and Bekhzod, but rather the Mughalrulers appreciated poets , musicians, and artists kalligrafisty (2). Despite theseprovisions, many famous artists and art continued to live in the centers culturalMaverannahr, Khorasan, India and sharp political and religious struggle hasforced many artists left Samarkand, Bukhara, Merv, etc.