mehrvash kazemi shishavan - ISLAMIC AZAD UNIVERSITY SHABESTAR BRANCH,SHABESTAR, IRAN
Rana Maleki - islamic azad university sofian branch,sofian, Iran

This article is about the comparative study of symbol in architecture and contemporary Seljuk tombs in Iran. Art is one of the arts associated with various sciences and science concepts, and various features of footprints can be seen. The signs and symbols of architectural buildings and monuments can be helpful. especially for the beauty of motifs and composition, and roles and indications suggest deep thinking and high precision. For example, some architectonic art harmony such as symmetry, proportionality, balance, balance, matching, agreement, similarity, consistency, alignment, and equality are noted. The main question is whether there are similarities and differences between the use of the symbol and sign in the works of the monuments of the two periods of Seljuk and contemporary Iran The aim of study is to study the architectural monuments of two architectural periods in Iran, with reference to types of signs and symbols of presenting the classification of the places of application of symbols and signs in architectural works. The methodology of this research is based on library studies and existing documents, and the gathering of data and deductions from the issues raised in relation to various types of symbols and signs, its application in the contemporary Seljuk and contemporary Iranian architecture, and research on similar examples. Finally, studying the research of other scholars, compares the architecture of the Seljuk and contemporary period of the Iranian monument with, the perspective of differences, similarities, the use of symbols and signs in the context of architecture.

Symbol, Seljuk period, contemporary architecture