A study on the harmony of the first, second and third movements for Symphony No. 1

The way of using the story and abstract symbols and the understanding and concepts of the symbols according to the aesthetic structure, the personal result and the use of the existing conditions in the creation of the work gave the author the courage to study a literary heritage to use it in the work and to use it in music. contemporary and even close to the music of my country. The created symphony is the result of taste and study experiences and personal experience selected and the product of the author's acceptance. It is hoped that this work will be accepted by my experts and professors and will open the way for me to send a new message in other works. Symphony (in French: symphonie) is derived from the Greek word SYMFONIA (symphonia) which means consonance and consonance. In classical music, a symphony is an orchestral piece that consists of several separate parts called movements, and the first movement is in the form of a sonata. The symphony form is actually the same four-part or four-movement form, and it is formalization, and it is rarely made in vocal form (such as the fourth movement of Beethoven's ninth symphony). The symphony dates back to the 18th century in Europe. Joseph Haydn, Wolfgang Amadeus Mozart, and especially Ludwig van Beethoven have had a significant influence on its formation. Today, the symphony is the most common accompaniment in the symphony orchestra. This form originated from opera overtures in the early 18th century and developed and expanded as an independent work about half a century later. Each symphony is a long piece with a large volume for the orchestra and usually has four separate movements (parts), and in the middle of the entire performance of the work, the orchestra stops for a few seconds to emphasize the separation of each part and starts the next movement. Sometimes, depending on the opinion of the composer, the next movement is performed immediately. The first part or more than one part has a sonata form. Sonata form is so common in the first movement of symphonies and other works that sometimes this form is called "first movement form". The present article in the form of a symphonic work in three movements is a description of the abstract concepts of the symbols of hell-barzakh-heaven. This work is designed based on the primary cell and the use of a raw material and expanding it to a fixed idea, which is designed with a detailed understanding of the orchestration for a specific sound color and to reach an independent thematic element, as well as their juxtaposition in the form of Counterpoint has been formed.

A study on the harmony of the first, second and third movements for Symphony No. 1 Keywords:

symphony , 3 movements , orchestral piece , first movement form.