Architectonics and Ornamentation in Safavid Sacred Architecture: A Comparative Evaluation of Structural Design and Tile Aesthetics at the Sheikh Safi al-Din Ardabil Complex and the Sheikh Lotfollah Mosque
Publish Year: 1404
نوع سند: مقاله کنفرانسی
زبان: Persian
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شناسه ملی سند علمی:
ARCUC04_082
تاریخ نمایه سازی: 2 آذر 1404
Abstract:
Safavid sacred architecture embodies a deliberate synthesis of structural intelligence and ornamental refinement, yet few comparative studies examine how architectonics and tile aesthetics operate in unison across different building types. This study focuses on two exemplary monuments—the Sheikh Safi al-Din Ardabil Complex, rooted in Sufi pilgrimage traditions, and the Sheikh Lotfollah Mosque in Isfahan, conceived as a private royal sanctuary-to evaluate their structural and decorative systems within a unified analytical framework. Using a systematic review of peer-reviewed scholarship, conservation reports, and authenticated architectural drawings, the research reconstructs geometric proportions, maps calligraphy, girih, and arabesque patterns onto structural lines, and classifies tile techniques including mosaic faience, cuerda seca, and haft-rangi. Analysis shows that spatial orientation strategies differ: the Ardabil complex employs sequential vestibules with slight reorientations of less than ۱۵ degrees, while the Lotfollah Mosque resolves the urban-to-qibla misalignment with a ۴۵-degree bent entrance. Proportional ratios also diverge, with the main portal at Ardabil approximating a ۳:۴ height-to-span relation compared to ۳:۲ at Lotfollah. Technical deployment reflects function and symbolism: Ardabil favors mosaic faience, covering more than half of its ornamental surfaces for inscriptions and girih clarity, while Lotfollah uses over ۶۰% panel methods to achieve continuous chromatic fields in its immersive dome interior. Despite these divergences, both monuments align more than ۹۰% of inscription bands with true structural horizons, confirming a shared discipline where ornament reinforces rather than obscures tectonic order. It is demonstrated in the study that Safavid architecture is operated as an embodied theology, offering guidance for conservation practice and serving as inspiration for contemporary architectural design.
Keywords:
Safavid architecture , architectonics , ornamentation , Sheikh Safi al-Din Ardabil Complex , Sheikh Lotfollah Mosque
Authors
Pouyan Kashani
Bachelor's Student in Interior Architecture, Faculty of Art, Architecture and Urban Planning, Islamic Azad University, Shahid Haj Ghasem Soleimani Branch (Kerman), Kerman, Iran
Hamid Reza Kashani
M.A. Graduate in Painting, Faculty of Art and Architecture, Islamic Azad University, Yazd Branch, Yazd, Iran