Postcolonial Reading of Joseph Conrad’s Lingard Trilogy
Publish place: The Journal of Applied Linguistics and Applied Literature: Dynamics and Advances.، Vol: 8، Issue: 1
Publish Year: 1399
Type: Journal paper
Language: English
View: 553
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Document National Code:
JR_JALDA-8-1_012
Index date: 14 July 2020
Postcolonial Reading of Joseph Conrad’s Lingard Trilogy abstract
Conrad’s acclaimed works from his middle period have been thoroughly studied from several perspectives including postcolonialism whereas the novels from his early period were overlooked due to their so-called uneven quality. The most notable works among Conrad’s early novels are hisLingard Trilogy- three of his early novels which are based on the recurring presence of the Captain Tom Lingard, the protagonist, and therelationship between Westerners and non-Westerners in a contact zone where both cultures meet. A postcolonial study of these novels can reveal Conrad’s attempt to change the binary logic of his time which put the West in a position of power. Postcolonial elements in this trilogy can be studied by using Homi Bhabha’s theories of stereotype, ambivalence, mimicry, hybridity, and othering to substantiate our claim that in Lingard Trilogy, Conrad’s discourse was anti-racist and against the imperial logic of the nineteenth century, since he tried to change it in the Trilogy.
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Postcolonial Reading of Joseph Conrad’s Lingard Trilogy authors
Ahad Mehrvand
Associate Professor of English Literature, Department of English Language and Literature, Azarbaijan Shahid Madani University, Tabriz, Iran
Shiva Talebi
MA in English Literature, Department of English Language and Literature, Azarbaijan Shahid Madani University, Tabriz, Iran