فمینیسم در فیلم های رخشان بنی اعتماد
Publish place: Quarterly Journal of Women s Studies Sociological and Psychological، Vol: 7، Issue: 2
Publish Year: 1388
نوع سند: مقاله ژورنالی
زبان: Persian
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شناسه ملی سند علمی:
JR_JWSPS-7-2_004
تاریخ نمایه سازی: 16 آبان 1400
Abstract:
As a distinguished and well-known Iranian female director, Rakhshiin Banf..E'temiid usually focuses on social issues. Aside from her first three films, all the remaining display the Iranian Women's social status as the core issue. Since the present study aims at exploring traces of feminist theories in Bonf-E'temiid's works, at the beginning we present a brief explanation of three different feminist theories- the gender difference, gender inequalities, and gender oppression- and proceed trying to elucidate how generally feminism has come to appear in the cinema. Then, as a benchmark for investigating women's life in the post-revolutionary Iran, Banf-E'temiid's cinema is explored. Her films are divided into three periodical categories: the ۱۹۸۰s, ۱۹۹۰s, and ۲۰۰۰s. Based on the above three feminist theories, our analysis suggests that the two latter ones-gender inequalities and gender oppression-are more emphatically employed in her films
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Authors
نادیا معقولی
دانشجوی دکتری پژوهش هنر، دانشکده هنر، دانشگاه تربیت مدرس
علی اکبر فرهنگی
استاد دانشکده مدیریت، دانشگاه تهران